Here are some examples from my first Notion project, a transcription for guitar ensemble of the fourth movement of Béla Bartók’s String Quartet #4. The program offers less control over the fine details of your score’s appearance compared to Sibelius and Finale, but I found it easier and more efficient to operate in Notion’s simpler environment. You’ve probably guessed the punchline: Notion splits the difference. But that didn’t work out either - Logic notation features are just too klugey. Later, when I got heavily into Apple’s Logic, I decided to go with the program’s simplified notation tools. I was a Sibelius user for years, but never a skilled one. Most notation pros use them because they’re packed with features essential to “music engraving” (the archaic and pretentious term for the process of preparing music for publication).īut for some users - like, I dunno, me - that’s more power and complexity than needed just to capture and share ideas. Two programs, Sibelius and Finale, dominate the music notation field. If you only plan to notate for guitar, the lower-priced Progression is probably all you need.)ġ.
(Most also apply to Notion’s sister app, Progression, which compiles all of Notion’s fretted-instrument tools, but omits the orchestral stuff. This isn’t a full-fledged product review - just a few thoughts about a half-dozen features I dig. I’d like to share some initial impressions about Notion. A new way to feign productivity in cafes!
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